Despite varying line breaks and rhythmic shifts, the lines never flow like poetry. "It is hard not to like the guy talking to us in these poems. ' Where Water Comes Together With Other Water'.a gifted writer struggling for a larger scope of reference. is abrupt rhythms and compressions come to be utterly decisive. Of his will, that is the strongest force. " there are a few that suggest he is moving toward a greater ease of manner and generosity of feeling but in most of his work it's his own presence, the hard grip There is in every line a loud and self-conscious artlessness, a double disingenuousness reflecting on itself." Talk About Love' reads like a book by a different author. rom this point on, 'What We Talk About When We Carver has in mind, it cannot fail to be atrocious. ' What We Talk About When We Talk About Love'.They are brief stories but by no means stark: they imply complexities of action and motiveĪnd they are especially artful in their suggestion of repressed violence." " have been carefully shaped, shorn of ornamentation and directed away from anything that might mislead.
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